Apollo Twin MkII: Heritage Edition
½Ç½Ã°£ UAD µà¿À ÄÚ¾î ÇÁ·Î¼¼½ÌÀ» žÀçÇÑ ¸Æ / À©µµ¿ì °ø¿ëÀÇ 10 x 6 ä³Î ½ã´õº¼Æ® ¿Àµð¿À ÀÎÅÍÆäÀ̽º Apollo Twin MkII <¾ÆÆú·Î Æ®À© MkII>°¡ ÇÑÁ¤ ±â°£ µ¿¾È¸¸ ÆǸŵǴ½ºÆä¼È ¿¡µð¼ÇÀ¸·Î Ãâ½ÃµÇ¾ú½À´Ï´Ù.
Á¦Ç° ¼³¸íUniversal Audio <À¯´Ï¹ö¼³ ¿Àµð¿À>ÀÇ ¾ÆÆú·Î Æ®À© MkII ÀÎÅÍÆäÀ̽º¿Í $1,300 ÀÌ»óÀÇ Ç÷¯±×ÀÎ ÆÐÅ°Áö¸¦ Çϳª¿¡ ¹øµé¿¡ ´ã¾Ò½À´Ï´Ù. ¾ÆÆú·Î Æ®À© MkII Heritage Edition <Ç츮ƼÁö ¿¡µð¼Ç>Àº Æ®À© MkIIÀÇ ¸¶½ºÅ͸µ ±×·¹À̵å AD/DA ÄÁ¹öÅÍ, Reatime Plug-in Processing, Unison ¸¶ÀÌÅ© ÇÁ¸®¾ÚÇÁ, LUNA ·¹ÄÚµù ½Ã½ºÅÛ Áö¿ø µî ¸ðµç ÀåÁ¡À» ±×´ë·Î °®Ãè½À´Ï´Ù. Ãß°¡·Î Teletronix, PultecÀÇ Ä÷º¼Çµî 5°¡Áö ¾ö¼±µÈ UAD plug-inÀ» Æ÷ÇÔÇÏ°í ÀÖ½À´Ï´Ù.
UAD Analog Collections°¡ Æ÷ÇԵǾî ÀÖ½À´Ï´Ù¾ÆÆú·Î ½Ã¸®ÁîÀÇ °¡Àå Å« Ư¡Áß ÇϳªÀÎ ½Ç½Ã°£ UAD ÇÁ·Î¼¼½ÌÀº ¸ðµç UAD Ç÷¯±×ÀÎÀ» 0¿¡ °¡±î¿î ·¹ÀÌÅϽ÷Π»ç¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù. Ç츮ƼÁö ¿¡µð¼ÇÀº $1,300 ÀÌ»óÀÇ ÇÁ¸®¹Ì¾ö Ç÷¯±×ÀεéÀ» (Teletronix, 1176 ÄÄÇÁ·¹¼, Pultec EQ ÀüÁ¦Ç°, UA 610 Unison ¸¶ÀÌÅ© ÇÁ¸®¾ÚÇÁ, Pure Plate ¸®¹öºê) Ãß°¡·Î Á¦°øÇÕ´Ï´Ù. Ç츮ƼÁö ¿¡µð¼ÇÀÇ Æ÷ÇÔ µÈ Ç÷¯±×ÀεéÀº ±âÁ¸ ¾ÆÆú·Î Æ®À© MkII ½Ã¸®Áî¿¡ Æ÷ÇԵǴ ¡°Realtime Analog Classics¡±°ú ÇÔ²² Ãß°¡·Î Á¦°øµÇ´Â °ÍÀÌ¸ç °¡Àå Á¤È®ÇÑ Å¬·¡½Ä ¾Æ³¯·Î±× ¿¡¹Ä·¹À̼ÇÀ» Á¦°øÇÕ´Ï´Ù.
2°³ÀÇ Unison ÇÁ¸®¾ÚÇÁ : Neve, Helios, API, Manley µîÀÇ »ç¿îµå¸¦¾ÆÆú·Î Æ®À© MkII¿¡´Â µÎ °³ÀÇ Unison ¸¶ÀÌÅ© ÇÁ¸®¾ÚÇÁ°¡ Á¦°øµÇ¾î, Neve, Helios, API, Manley, UA µî ´Ù¾çÇÑ ¸¶ÀÌÅ©ÇÁ¸®ÀÇ ¿¡¹Ä·¹À̼ÇÀ» »ç¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù. Unison ±â¼úÀº ¸¹Àº »ç¶ûÀ» ¹Þ´Â Áø°ø°ü°ú ¼Ö¸®µå ½ºÅ×ÀÌÆ® ¸¶ÀÌÅ©ÇÁ¸®ÀÇ Åæ°ú ´À³¦À» ±×´ë·Î µé·ÁÁÝ´Ï´Ù. ÀÎDz ÀÓÇÇ´ø½º, °ÔÀδÜÀÇ ¡®½ºÀ§Æ® ½ºÆý¡¯, ºÎÇ° ´ÜÀ§ÀÇ È¸·Î ¹ÝÀÀ±îÁö ±×´ë·Î ¿¡¹Ä·¹À̼ÇÇØÁÝ´Ï´Ù. UnisonÀÇ Æ¯Çã ±â¼úÀÎ Çϵå¿þ¾î¿Í ¼ÒÇÁÆ®¿þ¾îÀÇ ÅëÇÕ ±â¼úÀ» ±â¹ÝÀ¸·Î, ¾ÆÆú·Î Æ®À© MkII´Â 0¿¡ °¡±î¿î ·¹ÀÌÅϽ÷ΠUA 610-B Tube Preamp & EQ µî Ç÷¯±×ÀÎÀ» »ç¿ëÇؼ ÁøÂ¥ ¾Æ³¯·Î±× »ç¿îµå¸¦ ÀçÇöÇÒ ¼ö ÀÖ½À´Ï´Ù. Unison ±â¼úÀº ¾ÆÆú·Î Æ®À© MkIIÀÇ Àü¸éºÎ¿¡ ÀÖ´Â Hi-Z ¾Ç±â ÀÎDz¿¡µµ Àû¿ëµÇ¾î, Fender, Marshall, Ampeg µî, ±âŸ/º£À̽º ¾ÚÇÁÀÇ ÀÓÇÇ´ø½º¿Í °ÔÀÎÀ» ¿Ïº®ÇÏ°Ô ¿¡¹Ä·¹À̼ÇÇÕ´Ï´Ù.
LUNA ·¹ÄÚµù ½Ã½ºÅÛ¾ÆÆú·Î Æ®À© MkII ÀÎÅÍÆäÀ̽º´Â Logic Pro, Ableton Live, Pro Tools µî ¾î¶² ¸ÞÀÌÀú DAW¿¡¼µµ »ç¿ëÇÒ ¼ö ÀÖÁö¸¸, Universal AudioÀÇ ¸Æ Àü¿ë LUNA¸¦ ÅëÇÏ¿© ±× ¾î¶² DAWº¸´Ù ºü¸¥ ¹ÂÁ÷ ÇÁ·Î´ö¼Ç, ¿¡µðÆÃ, ¹Í½Ì ȯ°æÀ» Á¦°øÇÕ´Ï´Ù. Accelerated Realtime Monitoring¢â ±â¼ú·Î °ÈµÈ LUNA´Â Á÷°üÀûÀÎ ½Ì±Û À©µµ¿ì¸¦ ÅëÇØ Æ®·¢ °³¼öÀÇ Á¦ÇÑ ¾øÀÌ ¹Í½Ì°ú Æ®·¢Å·ÀÌ °¡´ÉÇϸç, ·¹ÀÌÅϽóª ¸ð´ÏÅ͸µ¿¡ ´ëÇÑ °ÆÁ¤ ¾øÀÌ Á÷°üÀûÀÎ ¹ÂÁ÷ ÇÁ·Î´ö¼Ç °æÇèÀ» Áï½Ã ´À³¥ ¼ö ÀÖ½À´Ï´Ù. LUNA´Â ¿ÏÀüÇÑ AU Æ÷¸ËÀ» Áö¿øÇϸç Àü¿ë °¡»ó ¾Ç±â¿Í ÀͽºÅÙ¼ÇÀ» ÅëÇØ ÈξÀ ºü¸£°í ´õ¿í ´Ù¾çÇÑ ¿É¼ÇÀ¸·Î ¹Í½º¸¦ Á¶Á¤ÇÒ ¼ö ÀÖ½À´Ï´Ù. ·¹ÄÚµùÀ» À§ÇÑ Àåºñ : Çâ»óµÈ ¸ð´ÏÅ͸µ°ú ÀÛ¾÷ ȯ°æ¾ÆÆú·Î Æ®À© MkII´Â ¿À¸®Áö³Î ¾ÆÆú·Î Æ®À©¿¡ ºñÇØ ¸ð´ÏÅÍ È¯°æÀÌ ¸Å¿ì °³¼±µÇ¾ú½À´Ï´Ù. Mute, DIM, Mono, Alt ½ºÇÇÄ¿ ½ºÀ§Ä¡ µî, °¢Á¾ ¸ð´ÏÅ͸µ °ü·Ã ±â´ÉÀÌ Ãß°¡µÇ¾ú½À´Ï´Ù. ¶ÇÇÑ, ¸ð´ÏÅÍ ¸®¸ðÆ® ÄÁÆ®·Ñ°ú ÇÔ²² ÅäÅ©¹é ¸¶ÀÌÅ©°¡ žÀçµÇ¾ú½À´Ï´Ù. ÀÌ·¯ÇÑ ±â´ÉÀ» ÅëÇؼ ¾ÆÆú·Î Æ®À© MkII´Â ÀÌÁ¦ ÇÁ·ÎÆä¼Å³Î µ¥½ºÅ©Åé ·¹ÄÚµù ÀåºñÀÇ »õ·Î¿î ±âÁØÀÌ µÉ °ÍÀÔ´Ï´Ù.
ÇÁ·ÎÆä¼Å³ÎÇÑ ¼º´É°ú È®À强¾ÆÆú·Î Æ®À© MkIIÀÇ À¯Àú´Â ÃÖ´ë 4´ëÀÇ ¾ÆÆú·Î, ÃÖ´ë 6´ëÀÇ UAD-2 Àåºñ±îÁö °áÇÕÇÏ¿© I/O¿Í DSP¸¦ È®ÀåÇÒ ¼ö ÀÖ½À´Ï´Ù. ¾ÆÆú·Î ·¢ ¸¶¿îÆ® À¯´ÖÀ¸·Î ½ºÆ©µð¿À¸¦ È®ÀåÇϸé, ¾ÆÆú·Î Æ®À© MkII¸¦ µ¥½ºÅ©Åé ¸ð´ÏÅÍ ÄÁÆ®·Ñ·¯·Î È°¿ëÇÒ ¼öµµ ÀÖ½À´Ï´Ù.
ÁÖ¿ä ±â´É- ¾ÆÆú·Î Æ®À© MkII ÀÎÅÍÆäÀ̽º¿Í Teletronix, Pultec, ±×¸®°í UAÀÇ ÃÑ 5°¡Áö ÇÁ¸®¹Ì¾ö Ç÷¯±×ÀÎÀ» Ãß°¡·Î Æ÷ÇÔÇÑ ½ºÆä¼È ¿¡µð¼Ç
- ¸¶½ºÅ͸µ ±×·¹À̵å AD/DA ÄÁ¹öÅÍ
- 2°³ÀÇ Unison ¸¶ÀÌÅ©ÇÁ¸®·Î ´Ù¾çÇÑ Å¬·¡½Ä Áø°ø°ü ¹× Æ®·£½ºÆ÷¸Ó ±â¹Ý ¸¶ÀÌÅ©ÇÁ¸®¿Í ±âŸ ¾ÚÇÁÀÇ ¸ðµ¨¸µÀ»»ç¿ë °¡´É
- UAD DUO Core ProcessingÀ» »ç¿ëÇØ, ºóƼÁö ÄÄÇÁ·¹¼, EQ, Å×ÀÌÇÁ ¸Ó½Å, ¸¶ÀÌÅ©ÇÁ¸®, ±âŸ ¾ÚÇÁÇ÷¯±×ÀÎ µîÀ» 0¿¡ °¡±î¿î ·¹ÀÌÅϽ÷Π»ç¿ëÇÒ ¼ö ÀÖÀ½
- ·ç³ª ·¹ÄÚµù ½Ã½ºÅÛ (¸Æ Àü¿ë)
- Àü¸éºÎÀÇ Hi-Z ¾Ç±â ÀÎDz¿¡¼µµ Unison ±â¼ú ÀÌ¿ë °¡´ÉÇϸç, º°µµÀÇ ÇìµåÆù ¾Æ¿ôDz Á¦°ø
- ³»Àå ÅäÅ©¹é ¸¶ÀÌÅ©·Î ½ºÆ©µð¿À ³»ÀÇ ¹ÂÁö¼Ç°ú ¿øÈ°ÇÑ ¼ÒÅë °¡´É
- Mono, Mute, DIM, ALT Monitor µî, ¸ð´ÏÅÍ ÄÁÆ®·Ñ·¯ ±â´É
- ¿ÉƼÄà ADAT/SPDIF·Î ÃÖ´ë 8°³ÀÇ µðÁöÅРä³Î Ãß°¡ °¡´É
- ¡°Realtime Analog Classics¡± UAD Ç÷¯±×ÀÎ ¹øµé¿¡ Teletronix LA-2A and 1176 compressors, Pultec EQs, UA610-B Tube Preamp & EQ µî Á¦°ø
- VST, RTAS, AU, AAX 64 µîÀ» Áö¿øÇÏ¿©, ´ëºÎºÐÀÇ DAW¿¡¼ UAD Ç÷¯±×ÀÎ »ç¿ë °¡´É
- Ç°Áú¿¡ ŸÇùÇÏÁö ¾ÊÀº ¾Æ³¯·Î±× ¼³°è, ¶Ù¾î³ ºÎÇ°, ÇÁ¸®¹Ì¾ö±Þ ¸¶°¨ Ç°Áú
- À¯¼± ¶Ç´Â ¿Â¶óÀÎÀ» ÅëÇØ ¼÷·ÃµÈ ¿£Áö´Ï¾îÀÇ ¹«·á ±â¼ú Áö¿ø °¡´É
* ¾ÆÆú·Î Æ®À© MkII Ç츮ƼÁö ¿¡µð¼Ç¿¡´Â 5°³ÀÇ UAD ÇÁ¸®¹Ì¾ö Ç÷¯±×Àΰú ¡°Realtime Analog Classics¡± UAD Ç÷¯±×ÀÎ ¹øµéÀÌ Á¦°øµË´Ï´Ù. ¸ðµç ´Ù¸¥ Ç÷¯±×ÀÎÀº º°µµ·Î ÆǸŵǰí ÀÖ½À´Ï´Ù.
Heritage Edition Bundle¿¡ Æ÷ÇÔµÈ Ç÷¯±×ÀÎ: - UA 1176 Classic Limiter Collection
- Teletronix LA-2A Classic Leveler Collection
- Pultec Passive EQ Collection
- UA 610 Tube Preamp & EQ Collection
- Pure Plate Reverb
Realtime Analog Classics Bundle¿¡ Æ÷ÇÔµÈ Ç÷¯±×ÀÎ:- UA 610-B Tube Preamp & EQ
- UA 1176LN Limiting Amplifier (Legacy)
- UA 1176SE Limiting Amplifier (Legacy)
- Pultec EQP-1A EQ (Legacy)
- Marshall¢ç Plexi Classic Guitar Amp
- Pultec Pro EQ (Legacy)
- Teletronix LA-2A Leveling Amplifier (Legacy)
- Raw Distortion
- Ampeg¢ç SVT-VR Classic Bass Amp
- Precision Channel Strip (Precision Mix Rack Collection)
- Precision Reflection Engine (Precision Mix Rack Collection)
- Precision Delay Mod (Precision Mix Rack Collection)
- Precision Delay Mod L (Precision Mix Rack Collection)
- RealVerb Pro Custom Room Modeler
SystemI/O- Mic Input: 2
- Hi-Z Input: 1
- Line Input: 2
- Line Output: 2
- Monitor Outputs: 2 (1 stereo pair)
- Headphone Output: 1 x stereo
- Digital Input Port: 1 (ADAT or S/PDIF, selectable)
- TB2 Port: 1
AD/DA Conversion- Supported Sample Rates (kHz): 44.1, 48, 88.2, 96, 176.4, 192
- Bit Depth: 24
- Simultaneous A/D Conversion: 2
- Simultaneous D/A Conversion: 6
- Analog Round-Trip Latency: 1.1 milliseconds @ 96 kHz sample rate
- Analog Round-Trip Latency with up to four serial UAD Powered Plug-Ins via Console application: 1.1 milliseconds @ 96 kHz sample rate
Analog I/O- Frequency Response: 20 Hz – 20 kHz, ¡¾0.1 dB
Microphone Inputs 1 – 2- Connector Type: XLR Female, pin 2 positive (Combo XLR/TRS)
- Phantom Power: +48V (switchable per mic input)
- Dynamic Range: 118 dB (A–weighting)
- Signal-to-Noise Ratio: 118 dB (A–weighting)
- Total Harmonic Distortion + Noise: –111 dBFS
- Common-Mode Rejection Ratio (CMRR): Greater than 70 dB (10¡¯ cable)
- Default Input Impedance: 5.4K Ohms (variable via Unison plug-ins)
- Gain Range: +10 dB to +65 dB
- Pad Attenuation (switchable per input): 20 dB (variable via Unison plug-ins)
- Maximum Input Level: +25.6 dBu (minimum gain, pad engaged)
Hi-Z Input- Connector Type: ¨ù¡± Female TS Unbalanced
- Dynamic Range: 117 dB (A–weighting)
- Signal-to-Noise Ratio: 117 dB (A–weighting)
- Total Harmonic Distortion + Noise: –101 dBFS
- Input Impedance: 1M Ohms (variable via Unison plug-ins)
- Gain Range: +10 dB to +65 dB
- Maximum Input Level: +12.2 dBu
Line Inputs 1 – 2- Connector Type: ¨ù¡± Female TRS Balanced (Combo XLR/TRS)
- Dynamic Range: 117.5 dB (A–weighting)
- Signal-to-Noise Ratio: 117.5 dB (A–weighting)
- Total Harmonic Distortion + Noise: –109 dBFS
- Input Impedance: 10K Ohms
- Gain Range: +10 dB to +65 dB
- Reference Level: +4 dBu
- Maximum Input Level: +20.2 dBu
Line Outputs 3 – 4- Connector Type: ¨ù¡± Female TRS Balanced
- Dynamic Range: 121 dB (A–weighting)
- Signal-to-Noise Ratio: 121 dB (A–weighting)
- Total Harmonic Distortion + Noise: –110 dBFS
- Stereo Level Balance: ¡¾0.05 dB
- Output Impedance: 600 Ohms
- Maximum Output Level: +20.2 dBu
Monitor Outputs 1 & 2- Connector Type: ¨ù¡± Female TRS Balanced
- Dynamic Range: 115dB (A–weighting)
- Signal-to-Noise Ratio: 115 dB (A–weighting)
- Total Harmonic Distortion + Noise: –105 dBFS
- Stereo Level Balance: ¡¾0.05 dB
- Output Impedance: 600 Ohms
- Maximum Output Level: +20.2 dBu
- Operating Reference Level: +14 dBu, +20 dBu (selectable)
Stereo Headphone Output- Connector Type: ¨ù¡± Female TRS Stereo
- Dynamic Range: 113 dB (A–weighting)
- Signal-to-Noise Ratio: 113 dB (A–weighting)
- Total Harmonic Distortion + Noise: –105 dBFS
- Maximum Output Power: 80 mW into 600 ohm load
DIGITAL I/OS/PDIF- Connector Type: Optical TOSLINK JIS F05 (shared with ADAT)
- Format: IEC958
- Supported Sample Rates (kHz): 44.1, 48, 88.2, 96
- S/PDIF Input Channels: 2 (Stereo L/R)
ADAT- Connector Type : Optical TOSLINK JIS F05 (shared with S/PDIF)
- Format: ADAT Digital Lightpipe with S/MUX
- Supported Sample Rates (kHz): 44.1, 48, 88.2, 96, 176.4, 192
- Channel Assignments @ 44.1 kHz, 48 kHz: Channels 1 – 8
- Channel Assignments @ 88.2 kHz, 96 kHz: Channels 1 – 4 (S/MUX)
- Channel Assignments @ 176.4 kHz, 192 kHz: Channels 1 – 2 (S/MUX)
Synchronization Sources- Internal, S/PDIF, ADAT(digital clock sync source conditional per selected digital input type)
A/S ¹®ÀÇ - ±â¾î¶ó¿îÁö ÁÖ½Äȸ»ç
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