Apollo x8p: Heritage Edition
½Ç½Ã°£ UAD HEXA ÄÚ¾î ÇÁ·Î¼¼½Ì°ú ¸¶½ºÅ͸µ ±×·¹À̵å AD/DA ÄÁ¹öÅ͸¦ žÀçÇÑ ¸Æ / À©µµ¿ì À¯Àú¸¦ À§ÇÑ 16 x 22 ½ã´õº¼Æ® 3 ¿Àµð¿À ÀÎÅÍÆäÀ̽º Apollo x8p(¾ÆÆú·Î x8p)ÀÇ ½ºÆä¼È ¿¡µð¼ÇÀÔ´Ï´Ù.
Á¦Ç° ¼³¸íUniversal Audio(À¯´Ï¹ö¼³ ¿Àµð¿À)ÀÇ HEXA Core ÇÁ·Î¼¼½Ì ¾ÆÆú·Î x8p ÀÎÅÍÆäÀ̽º¿Í $2,400 ÀÌ»óÀÇ Ç÷¯±×ÀÎ ÆÐÅ°Áö¸¦ Çϳª¿¡ ¹øµé¿¡ ´ã¾Ò½À´Ï´Ù ¾ÆÆú·Î x8p Heritage(Ç츮ƼÁö) ¿¡µð¼ÇÀº ¸¶½ºÅ͸µ ±×·¹À̵å AD/DA ÄÁ¹öÅÍ, HEXA Core Plug-in Processing, Unison ¸¶ÀÌÅ© ÇÁ¸®¾ÚÇÁ, LUNA ·¹ÄÚµù ½Ã½ºÅÛ Áö¿ø µî ¸ðµç ÀåÁ¡À» ±×´ë·Î °®Ãè½À´Ï´Ù. Ãß°¡·Î Fairchild, Teletronix, Helios, Pultec µî 10°¡Áö ¾ö¼±µÈ UAD plug-inÀ» Æ÷ÇÔÇÏ°í ÀÖ½À´Ï´Ù. - ¾ÆÆú·Î x8p ÀÎÅÍÆäÀ̽º¿Í Fairchild, Teletronix, Helios, Pultec µî 10°¡Áö ¾ö¼±µÈ UAD Ç÷¯±×ÀÎÀ» Ãß°¡·Î Æ÷ÇÔÇÑ ¿¡µð¼Ç
- ¸Å¿ì ÈǸ¢ÇÑ A/D ¹× D/A ÄÁ¹öÅÍ´Â µ¿ °¡°Ý´ë¿¡¼ °¡Àå ³ÐÀº ´ÙÀ̳»¹Í ·¹ÀÎÁö¿Í °¡Àå ³·Àº ½ÅÈ£ ´ë ÀâÀ½ ºñ(S/N ºñ)¸¦ ÀÚ¶ûÇÕ´Ï´Ù.
- °·ÂÇÑ HEXA Core ÇÁ·Î¼¼½ÌÀ¸·Î ³ìÀ½°ú ¹Í½º¸¦ ÇÒ ¼ö ÀÖ½À´Ï´Ù. ±âÁ¸º¸´Ù 50% ´Ã¾î³ 6°³ÀÇ DSP·Î ´õ ¸¹Àº ½Ç½Ã°£ UAD Ç÷¯±×ÀÎÀ» »ç¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù.
- ¿©´ü °³ÀÇ Unison ÇÁ¸®¾ÚÇÁ¸¦ ÅëÇØ, Neve, API, Manley, Fender µî À¯¸í ÇÁ¸®¾ÚÇÁ ¿¡¹Ä·¹À̼ÇÀ» »ç¿ëÇÏ¸é¼ 0¿¡ °¡±î¿î ·¹ÀÌÅϽ÷Π³ìÀ½ÇÒ ¼ö ÀÖ½À´Ï´Ù.
- ·ç³ª ·¹ÄÚµù ½Ã½ºÅÛ (¸Æ Àü¿ë)
- VST, RTAS, AU, AAX 64 µîÀ» Áö¿øÇÏ¿©, ´ëºÎºÐÀÇ DAW¿¡¼ UAD Ç÷¯±×ÀÎ »ç¿ë °¡´É
- ¶ÇÇÑ, +24 / +20 dBu Çìµå·ë ¼³Á¤ ¿É¼ÇÀ¸·Î ÇÁ·ÎÆä¼Å³Î ½ºÆ©µð¿À Àåºñ¿ÍÀÇ È£È¯¼ºÀ» ³ô¿´½À´Ï´Ù.
- ÀÌÁ¦ 7.1ä³Î ¼¶ó¿îµå Æ÷¸Ëµµ Áö¿ø*Çϸç, ½ºÇÇÄ¿ Ķ¸®ºê·¹ÀÌ¼Ç ¹× Æúµå´Ù¿î(ä³Î¼ö¸¦ ÁÙÀÌ´Â °Í) ±â´É±îÁö žÀçÇß½À´Ï´Ù.
- ÅäÅ©¹é ¸¶ÀÌÅ©¿Í Å¥°¡ žÀçµÇ¾î ÀÖ¾î, ³ìÀ½ ºÎ½º¿Í ÈξÀ ½±°Ô ¼ÒÅëÇÒ ¼ö ÀÖ½À´Ï´Ù.
UAD Analog Collections°¡ Æ÷ÇԵǾî ÀÖ½À´Ï´Ù¾ÆÆú·Î ½Ã¸®ÁîÀÇ °¡Àå Å« Ư¡Áß ÇϳªÀÎ ½Ç½Ã°£ UAD ÇÁ·Î¼¼½ÌÀº ¸ðµç UAD Ç÷¯±×ÀÎÀ» 0¿¡ °¡±î¿î ·¹ÀÌÅϽ÷Π»ç¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù. ¾ÆÆú·Î x8p Ç츮ƼÁö ¿¡µð¼ÇÀº $2,400 ÀÌ»óÀÇ ÇÁ¸®¹Ì¾ö Ç÷¯±×ÀεéÀ» (Teletronix, 1176 ÄÄÇÁ·¹¼, Fairchild ÄÄÇÁ·¹¼, Helios Type 69, V76, Pultec EQ ÀüÁ¦Ç°, UA 610 Unison ¸¶ÀÌÅ© ÇÁ¸®¾ÚÇÁ, Oxide Tape Recorder, Pure Plate ¸®¹öºê) Ãß°¡·Î Á¦°øÇÕ´Ï´Ù. Ç츮ƼÁö ¿¡µð¼ÇÀÇ Æ÷ÇÔ µÈ Ç÷¯±×ÀεéÀº ±âÁ¸ Apollo x8p Á¦Ç°¿¡ Æ÷ÇԵǴ ¡°Realtime Analog Classics Plus¡±°ú ÇÔ²² Ãß°¡·Î Á¦°øµÇ´Â °ÍÀÌ¸ç °¡Àå Á¤È®ÇÑ Å¬·¡½Ä ¾Æ³¯·Î±× ¿¡¹Ä·¹À̼ÇÀ» Á¦°øÇÕ´Ï´Ù.
¶Ù¾î³ AD/DA ÄÁ¹öÅÍÂ÷Æ®¸¦ ÈÛ¾´ Æ®·¢À̳ª Grammy¸¦ ¼ö»óÇÑ ¾Ù¹üÀ» Á¦ÀÛÇÒ ¶§, ¾ÆÆú·Î ÀÎÅÍÆäÀ̽º°¡ Ç×»ó ÇÔ²²Çϸç ÈǸ¢ÇÑ »ç¿îµå¸¦ ¸¸µé¾îÁÖ¾ú½À´Ï´Ù. ±âÁ¸ÀÇ Apollo ¿ª½Ã ¾÷°è¸¦ ¼±µµÇÏ´Â ¿Àµð¿À ÄÁ¹öÀüÀ» Á¦°øÇßÀ¸³ª, UAÀÇ ¿£Áö´Ï¾îµéÀº À̸¦ ´õ °³¼±Çϱâ À§Çؼ ÃֽŠAD/DA ÄÁ¹öÅ͸¦ ¸ðµÎ Å×½ºÆ®Çغ¸¾Ò½À´Ï´Ù. ±×¸®ÇÏ¿© ¼±ÅÃµÈ 24-bit/192kHz ÄÁ¹öÅÍ¿¡ ¿ÏÀüÈ÷ »õ·Î¿öÁø ¾Æ³¯·Î±× ȸ·Î±îÁö ´õÇØ, ±Øµµ·Î Åõ¸íÇÑ ½Ã±×³Î Æнº°¡ ź»ýÇÏ°Ô µÇ¾ú½À´Ï´Ù. ¾ÆÆú·Î x ½Ã¸®Áî´Â »õ·Î¿î Dual-Crystal Ŭ·°À» žÀçÇß½À´Ï´Ù. Àü¿ë Å©¸®½ºÅÐ ¿À½Ç·¹ÀÌÅÍ·Î 44.1/88.2/176.4kHz¿Í 48/96/192kHz Ŭ·°À» Áö¿øÇØ, 10 ÇÇÄÚÃÊ(ps) ¹Ì¸¸ÀÇ ¸Å¿ì ³·Àº ÁöÅ͸¦ Á¦°øÇÕ´Ï´Ù. À̸¦ ÅëÇØ ±Øµµ·Î Åõ¸íÇÏ°í ³ëÀÌÁî°¡ ÀûÀº ·¹ÄÚµù°ú źźÇÑ ½ºÅ×·¹¿À À̹ÌÁö¸¦ ¿Ï¼ºÇÒ ¼ö ÀÖ½À´Ï´Ù. 129dBÀÇ ´ÙÀ̳»¹Í ·¹ÀÎÁö¿Í -118dBÀÇ THD+NÀ» Á¦°øÇÏ´Â ¾ÆÆú·Î x8p´Â ÀÚ¿¬½º·´°í ¿¸° »ç¿îµå¸¦ ÀÚ¶ûÇϸç, ºñ±³Àû Àú·ÅÇÑ °¡°Ý¿¡µµ ºÒ±¸ÇÏ°í ÇöÁ¸ÇÏ´Â ÇÏÀÌ¿£µå±Þ ÄÁ¹öÅÍ¿Í ¸Â¸Ô´Â À½ÁúÀ» Á¦°øÇÕ´Ï´Ù. ÀÌ·¯ÇÑ ±ú²ýÇÑ »ç¿îµå¾ß¸»·Î UAD ÇÁ·Î¼¼½ÌÀ» ½ÃÀÛÇϱâ À§ÇÑ Ãâ¹ßÁ¡À̶ó ÇÒ ¼ö ÀÖ½À´Ï´Ù.
½Ç½Ã°£ UAD HEXA Core ÇÁ·Î¼¼½Ì¾ÆÆú·Î x8p¿¡´Â HEXA Core ÇÁ·Î¼¼¼°¡ žÀçµÇ¾î Àִµ¥, ÀÌ´Â 6°³ÀÇ DSP, Áï ±âÁ¸ ¸ðµ¨º¸´Ù 50% ´Ã¾î³ ÇÁ·Î¼¼½Ì ¿ë·®À» ÀǹÌÇÕ´Ï´Ù. À̸¦ ÅëÇØ ´õ ¸¹Àº UAD Ç÷¯±×ÀÎÀ» »ç¿ëÇÒ ¼ö ÀÖÀ¸¸ç, Neve, Manley, API µîÀÇ Ã¤³Î ½ºÆ®¸³À» °É°í ½Ç½Ã°£ ³ìÀ½ÇÒ ¶§³ª, DAW¿¡¼ UAD Ç÷¯±×ÀÎÀ» ÀÜ¶à °É°í ¹Í½ÌÇÒ ¶§³ª, ´õ ¿©À¯·Ó°Ô ÀÛ¾÷ÇÒ ¼ö ÀÖ½À´Ï´Ù. Pultec EQÀÇ µû¶æÇÑ Áø°ø°ü »ç¿îµå¸¦ ±âŸ¿¡, LA-2AÀÇ À½¾ÇÀûÀÎ Áø°ø°ü ¸®¹ÌÆÃÀ» º¸Äÿ¡, ȤÀº 1176À̳ª Fairchild 670 Áø°ø°ü ÄÄÇÁ·¹¼ÀÇ ÆßÇΰ¨À» µå·³¿¡ ´õÇغ¸¼¼¿ä. UAD Ç÷¯±×ÀÎÀÌ Á¦°øÇϴ dzºÎÇÏ°í 3Â÷¿øÀûÀÎ ¾Æ³¯·Î±× »ç¿îµå·Î ¿©·¯ºÐÀÇ Æ®·¢À» Å©°Ô Çâ»óÇÒ ¼ö ÀÖ½À´Ï´Ù.
Unison Å×Å©³î·ÎÁö : Neve, API, Manley ÇÁ¸®¾ÚÇÁÀÇ ÁøÂ¥ »ç¿îµå¿£Áö´Ï¾î, ÇÁ·Îµà¼, ÇÁ·ÎÁ§Æ® ½ºÆ©µð¿À¿¡ µü ¸Â´Â ¾ÆÆú·Î x8p´Â ¿©´ü °³ÀÇ Unison ¸¶ÀÌÅ©ÇÁ¸®¸¦ Á¦°øÇϸç, À̸¦ ÅëÇØ Neve, API, Manley, SSL, À¯´Ï¹ö¼³ ¿Àµð¿ÀÀÇ ¸¶ÀÌÅ©ÇÁ¸®¸¦ ¶È°°ÀÌ ¿¡¹Ä·¹À̼ÇÇÑ Ç÷¯±×ÀÎÀ» °É°í ³ìÀ½ÇÒ ¼ö ÀÖ½À´Ï´Ù. À¯´Ï¹ö¼³ ¿Àµð¿À¸¸ÀÇ Unison ±â¼úÀº ´©±¸³ª Ž³»´Â Áø°ø°ü ¹× ¼Ö¸®µå ½ºÅ×ÀÌÆ® ¸¶ÀÌÅ©ÇÁ¸®ÀÇ »ç¿îµå¸¦ ±×´ë·Î ÀçÇöÇÕ´Ï´Ù. ¿À¸®Áö³Î Çϵå¿þ¾îÀÇ ÀÎDz ÀÓÇÇ´ø½º, °ÔÀδÜÀÇ ¡®½ºÀ§Æ® ½ºÆÌ¡¯, ´õ ³ª¾Æ°¡ ºÎÇ° ´ÜÀ§ÀÇ È¸·Î ¹ÝÀÀ ¹æ½Ä±îÁö ±×´ë·Î ¿¡¹Ä·¹À̼ÇÇß½À´Ï´Ù. UnisonÀÇ ºñ¹ÐÀº ¾ÆÆú·ÎÀÇ ¸¶ÀÌÅ©ÇÁ¸®¿Í Realtime UAD ProcessingÀ̶ó´Â, Çϵå¿þ¾î¿Í ¼ÒÇÁÆ®¿þ¾îÀÇ ±â¼úÀ» À¶ÇÕÇß´Ù´Â Á¡ÀÔ´Ï´Ù. LUNA ·¹ÄÚµù ½Ã½ºÅÛ¸ðµç ¾ÆÆú·Î X ½Ã¸®Áî ÀÎÅÍÆäÀ̽º´Â Logic Pro, Ableton Live, Pro Tools µî ¾î¶² ¸ÞÀÌÀú DAW¿¡¼µµ »ç¿ëÇÒ ¼ö ÀÖÁö¸¸, À¯´Ï¹ö¼³ ¿Àµð¿ÀÀÇ ¸Æ Àü¿ë LUNA¸¦ ÅëÇÏ¿© ±× ¾î¶² DAWº¸´Ù ºü¸¥ ¹ÂÁ÷ ÇÁ·Î´ö¼Ç, ¿¡µðÆÃ, ¹Í½Ì ȯ°æÀ» Á¦°øÇÕ´Ï´Ù. Accelerated Realtime Monitoring¢â ±â¼ú·Î °ÈµÈ LUNA´Â Á÷°üÀûÀÎ ½Ì±Û À©µµ¿ì¸¦ ÅëÇØ Æ®·¢ °³¼öÀÇ Á¦ÇÑ ¾øÀÌ ¹Í½Ì°ú Æ®·¢Å·ÀÌ °¡´ÉÇϸç, ·¹ÀÌÅϽóª ¸ð´ÏÅ͸µ¿¡ ´ëÇÑ °ÆÁ¤ ¾øÀÌ Á÷°üÀûÀÎ ¹ÂÁ÷ ÇÁ·Î´ö¼Ç °æÇèÀ» Áï½Ã ´À³¥ ¼ö ÀÖ½À´Ï´Ù. LUNA´Â ¿ÏÀüÇÑ AU Æ÷¸ËÀ» Áö¿øÇϸç Àü¿ë °¡»ó ¾Ç±â¿Í ÀͽºÅÙ¼ÇÀ» ÅëÇØ ÈξÀ ºü¸£°í ´õ¿í ´Ù¾çÇÑ ¿É¼ÇÀ¸·Î ¹Í½º¸¦ Á¶Á¤ÇÒ ¼ö ÀÖ½À´Ï´Ù. ¼¶ó¿îµå »ç¿îµå ¸ð´ÏÅ͸µ°ú +24 dBu ¿É¼Ç7.1ä³Î ¼¶ó¿îµå ¸ð´ÏÅ͸µÀ» Áö¿øÇÏ´Â Apollo x8p´Â ºñµð¿À °ÔÀÓ, ÅÚ·¹ºñÀü, À¥ °ü·Ã ¿Àµð¿À ÇÁ·Îµà½Ì ¹× ¿£Áö´Ï¾îµé¿¡°Ôµµ ÁÁ½À´Ï´Ù. ¾ÆÆú·Î x8p´Â ¶ÇÇÑ, +24 dBu ¿É¼ÇÀ» Á¦°øÇØ, ÇÁ·ÎÆä¼Å³Î ¹Í½Ì ÄܼÖÀ̳ª ÇÏÀÌ¿£µå±Þ ÇÁ·Î¿Àµð¿À Àåºñ¿ÍÀÇ È£È¯¼ºÀ» ³ô¿´½À´Ï´Ù.
½ã´õº¼Æ®¸¦ ÅëÇÑ ³×Æ®¿öÅ© ½ºÆ©µð¿À ½Ã½ºÅÛ¾ÆÆú·Î x8p´Â 16 x 22°³ÀÇ µ¿½Ã ÀÔÃâ·Â(8 x 8 ¾Æ³¯·Î±× I/O) ´ÜÀÚ¿Í µÎ °³ÀÇ ½ã´õº¼Æ® 3 ´ÜÀÚ¸¦ Á¦°øÇÕ´Ï´Ù. µû¶ó¼ ½ã´õº¼Æ®¸¦ Áö¿øÇÏ´Â ¾ÆÆú·Î TwinÀ̳ª ¾ÆÆú·Î ·¢¸¶¿îÆ® ¿Àµð¿À ÀÎÅÍÆäÀ̽º¸¦ »ç¿ëÇÏ°í ÀÖ´Â »ç¶÷Àº ½ã´õº¼Æ®·Î ¿¬°áÇØ ¼Õ½±°Ô ½Ã½ºÅÛÀ» È®ÀåÇÒ ¼ö ÀÖ½À´Ï´Ù. ¾ÆÆú·Î´Â ÃÖ´ë 4´ë±îÁö, UAD-2 Àåºñ´Â ÃÖ´ë 6´ë±îÁö ¿¬°áÀÌ °¡´ÉÇÕ´Ï´Ù. ½ºÆ©µð¿ÀÀÇ ±Ô¸ð°¡ ¼ºÀåÇÔ¿¡ ¸ÂÃç¼ ´õ¿í ºü¸¥ ÇÁ·Î¼¼½Ì, ´õ ³ôÀº ´ë¿ªÆø I/O, ´õ ¸¹Àº DSP·Î ¾÷±×·¹À̵åÇϼ¼¿ä. ¾ÆÆú·Î x8p Ç츮ƼÁö ¿¡µð¼ÇÀÇ ÁÖ¿ä ±â´É:- ¾ÆÆú·Î x8p ÀÎÅÍÆäÀ̽º¿Í Fairchild, Teletronix, Helios, Pultec µî 10°¡Áö ¾ö¼±µÈ UAD plug-inÀ» Ãß°¡·Î Æ÷ÇÔÇÑ ¿¡µð¼Ç
- µ¿±Þ ÃÖ°ÀÇ 24-bit/192kHz ÄÁ¹öÅ͸¦ žÀçÇÑ 16 x 22 ä³Î ½ã´õº¼Æ® 3 ¿Àµð¿À ÀÎÅÍÆäÀ̽º
- Realtime UAD HEXA Core Processing : ¿Àµð¿À ¹öÆÛ »çÀÌÁî¿Í »ó°ü ¾øÀÌ, 0¿¡ °¡±î¿î ·¹ÀÌÅϽ÷ΠUAD Ç÷¯±×ÀÎÀ» »ç¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù.
- 8°³ÀÇ Unison ¸¶ÀÌÅ©ÇÁ¸® : Neve, API, Manley, SSL µî, Ŭ·¡½Ä ÇÁ¸®¾ÚÇÁÀÇ »ç¿îµå ¿¡¹Ä·¹À̼ÇÀ» ´õÇØ ³ìÀ½ÇÒ ¼ö ÀÖ½À´Ï´Ù.
- ·ç³ª ·¹ÄÚµù ½Ã½ºÅÛ (¸Æ Àü¿ë)
- Dual Crystal Ŭ·°À¸·Î ¸Å¿ì ³·Àº ¼öÁØÀÇ ÁöÅ͸¦ ½ÇÇöÇØ, ±ú²ýÇÏ°í ³ëÀÌÁî°¡ ÀûÀº ·¹ÄÚµù°ú źźÇÑ ½ºÅ×·¹¿À À̹ÌÁö¸¦ ¸¸µé ¼ö ÀÖ½À´Ï´Ù.
- 7.1ä³Î ¼¶ó¿îµå ¸ð´ÏÅÍ ÄÁÆ®·Ñ·¯
- Realtime Analog Classic Plus Ç÷¯±×ÀÎ ¹øµé ±âº» Á¦°ø : UA 610-B, Pultec EQ, LA-2A, 1176ºÎÅÍ Marshall Plexi Classic, Ampeg SVT-VR Classic±îÁö
- UAD HEXA Core ÇÁ·Î¼¼¼ ³»Àå : Pro Tools, Logic, Cubase, Ableton µî ÁÖ¿ä DAW ¾îµð¼³ª UAD Ç÷¯±×ÀÎÀ» »ç¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù.
- ÃÖ´ë 4´ëÀÇ ½ã´õº¼Æ® ¾ÆÆú·Î, ÃÖ´ë 6´ëÀÇ UAD Àåºñ¿Í ¿¬°áÇÒ ¼ö ÀÖ½À´Ï´Ù.
- +24 dBu ¿É¼ÇÀ¸·Î ÇÁ·ÎÆä¼Å³Î ¹Í½Ì ÄܼÖÀ̳ª Å×ÀÌÇÁ ¸Ó½Å°úÀÇ È£È¯¼ºÀ» ³ô¿©ÁÝ´Ï´Ù.
- Æí¸®ÇÑ Àü¸é ÆгΠ¸ð´ÏÅ͸µ ±â´É : º¸Á¶ ½ºÇÇÄ¿, ÅäÅ©¹é ¸¶ÀÌÅ©, ÁöÁ¤ °¡´ÉÇÑ Dim / Mono
- Ç°Áú¿¡ ŸÇùÇÏÁö ¾Ê´Â UAÀÇ ¾Æ³¯·Î±× ȸ·Î ¼³°è, ¶Ù¾î³ ºÎÇ°, ÃÖ°íÀÇ ¸¶°¨ Ç°Áú
- À¯¼± ¶Ç´Â ¿Â¶óÀÎÀ» ÅëÇØ ¼÷·ÃµÈ ¿£Áö´Ï¾îÀÇ ¹«·á ±â¼ú Áö¿ø °¡´É
* ¾ÆÆú·Î x8p Ç츮ƼÁö ¿¡µð¼Ç¿¡´Â 10°³ÀÇ UAD ÇÁ¸®¹Ì¾ö Ç÷¯±×Àΰú ¡°Realtime Analog Classics Plus¡± UAD Ç÷¯±×ÀÎ ¹øµéÀÌ Á¦°øµË´Ï´Ù. ¸ðµç ´Ù¸¥ Ç÷¯±×ÀÎÀº º°µµ·Î ÆǸŵǰí ÀÖ½À´Ï´Ù.
Ç츮ƼÁö ¿¡µð¼Ç ¹øµé¿¡ Æ÷ÇÔµÈ Ç÷¯±×ÀÎ: - UA 1176 Classic Limiter Collection
- Teletronix LA-2A Classic Leveler Collection
- Pultec Passive EQ Collection
- Fairchild Tube Limiter Collection
- Teletronix LA-3A Audio Leveler
- UA 610 Tube Preamp & EQ Collection
- Helios Type 69 Preamp & EQ Collection
- V76 Preamplifier
- Oxide Tape Recorder
- Pure Plate Reverb
Realtime Analog Classic Plus ¹øµé¿¡ Æ÷ÇÔµÈ Ç÷¯±×ÀÎ:- UA 610-B Tube Preamp & EQ
- Marshall Plexi Classic Guitar Amp
- Ampeg SVT-VR Classic Bass Amp
- UA 1176LN Limiting Amplifier (Legacy)
- UA 1176SE Limiting Amplifier (Legacy)
- Pultec EQP-1A EQ (Legacy)
- Pultec Pro EQ (Legacy)
- Teletronix LA-2A Leveling Amplifier (Legacy)
- Fairchild 670 Compressor (Legacy)
- Precision Enhancer Hz
- Raw Distortion
- Precision Channel Strip (Precision Mix Rack Collection)
- Precision Reflection Engine (Precision Mix Rack Collection)
- Precision Delay Mod (Precision Mix Rack Collection)
- Precision Delay Mod L (Precision Mix Rack Collection)
- RealVerb Pro Custom Room Modeler
SystemI/O- Mic Input: 8
- Hi-Z Input: 2
- Line Input: 8
- Line Output (DC coupled): 8 (10 incl. monitors)
- Monitor Outputs (DC coupled): 2 (1 stereo pair)
- Headphone Output: 2 x stereo
- Digital Input Ports (TOSLINK optical): 2 (ADAT or S/PDIF, selectable)
- Digital Output Ports (TOSLINK optical): 2 (ADAT or S/PDIF, selectable)
- TB3 Ports: 2
- Word Clock: 1 input, 1 output
AD/DA Conversion- Supported Sample Rates (kHz): 44.1, 48, 88.2, 96, 176.4, 192
- Bit Depth: 24
- Simultaneous A/D Conversion: 8
- Simultaneous D/A Conversion: 14
- Analog Round-Trip Latency: 1.1 milliseconds @ 96 kHz sample rate
- Analog Round-Trip Latency with up to four serial UAD plug-ins via Console application: 1.1 milliseconds @ 96 kHz sample rate (no additional latency via Realtime UAD Processing)
Analog I/OMicrophone Inputs 1 – 8- Frequency Response: 20 Hz – 20 kHz, ¡¾0.05 dB
- Connector Type: XLR Female, pin 2 positive (Combo XLR/TRS)
- Phantom Power: +48V (switchable per mic input)
- Dynamic Range: 122 dB (A–weighting)
- Total Harmonic Distortion + Noise: –114 dBFS
- Default Input Impedance: 5.5K Ohms (variable via Unison plug-ins)
- Gain Range: +10 dB to +65 dB
- Pad Attenuation (switchable per input): 20 dB (variable via Unison plug-ins)
- Maximum Input Level: +26 dBu (minimum gain, pad engaged)
Hi-Z Inputs 1 – 2- Frequency Response: 20 Hz – 20 kHz, ¡¾0.04 dB
- Connector Type: ¨ù¡± Female TS Unbalanced
- Dynamic Range: 121 dB (A–weighting)
- Total Harmonic Distortion + Noise: –111 dBFS
- Input Impedance: 1M Ohms (variable via Unison plug-ins)
- Gain Range: +10 dB to +65 dB
- Maximum Input Level: +12.4 dBu
Line Inputs 1 – 8- Frequency Response: 20 Hz – 20 kHz, ¡¾0.04 dB
- Connector Type: (8) ¨ù¡± Female TRS Balanced (Combo XLR/TRS), (1) Female DB25 (Tascam wiring), Normalled
- Dynamic Range: 123 dB (A–weighting)
- Total Harmonic Distortion + Noise: –113 dBFS
- Input Impedance: 10K Ohms
- Gain Range: +10 dB to +65 dB
- Maximum Input Level: +24 dBu
Line Outputs 1 – 8- Frequency Response: 20 Hz – 20 kHz, ¡¾0.07 dB
- Connector Type: Female DB25 (Tascam wiring)
- Dynamic Range: 127 dB (A–weighting)
- Total Harmonic Distortion + Noise: –119 dBFS
- Output Impedance: 100 Ohms
- Maximum Output Level: +24 dBu
Monitor Outputs 1 - 2- Connector Type: ¨ù¡± Female TRS Balanced
- Dynamic Range: 129 dB (A–weighting)
- Frequency Response: 20 Hz – 20 kHz, ¡¾0.06 dB
- Total Harmonic Distortion + Noise: –118 dBFS
- Output Impedance: 100 Ohms
- Maximum Output Level: +24 dBu
Stereo Headphone Outputs 1 – 2- Connector Type: ¨ù¡± Female TRS Stereo
- Dynamic Range: 125 dB (A–weighting)
- Frequency Response: 20 Hz – 20 kHz, ¡¾0.05 dB
- Total Harmonic Distortion + Noise: –102 dBFS
- Maximum Output Power: 150 mW into 300 ohm load
DIGITAL I/OS/PDIF- Connector Type (shared with ADAT): Optical TOSLINK JIS F05
- Format: IEC958
- Supported Sample Rates (kHz): 44.1, 48, 88.2, 96
ADAT- Connector Type (shared with S/PDIF): Optical TOSLINK JIS F05
- Format: ADAT Digital Lightpipe with S/MUX
- Supported Sample Rates (kHz): 44.1, 48, 88.2, 96, 176.4, 192
- Channel Assignments @ 44.1 kHz, 48 kHz: Port 1 = Channels 1 – 8, Port 2 = 1 – 8 (mirrored)
- Channel Assignments @ 88.2 kHz, 96 kHz: Port 1 = Channels 1 – 4, Port 2 = Channels 5 – 8
- Channel Assignments @ 176.4 kHz, 192 kHz: Port 1 = Channels 1 – 2, Port 2 = Channels 3 – 4
Word Clock- Connector Type: BNC
- Lock Range: ¡¾4% of any supported sample rate
- Word Clock Input Termination: 75 Ohms, switchable
Synchronization Sources- Internal, Word Clock, S/PDIF, ADAT
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